Born Yesterday

Eliza Doolittle Meets Betty Boop.
From the moment she enters the picture and screeches "Whaaaaattttt??", in a voice that could peel wallpaper, you can't take your eyes off Judy Hollidays "Billie Dawn." In this movie adaptation of the Garson Kanin play, directed by famed "womans director" George Cukor, she takes a wonderfully written character and turns her into a classic movie performance that no one else could have played. Her crass, monosyllabic Billie is SO dumb, that, when her corrupt bully boyfriend, played by Broderick Crawford, first proposes to the owlish journalist, played by William Holden, that he refine Billies rough edges so she can be presented into the Washington society that he hopes to manipulate, well...you wonder how he can EVER mold this dim-witted clay. Along the way, she, for the first time, begins to actually THINK, and her development of a conscience and awareness of her self worth is as moving as it is comical. The backdrop of corrupt politicians who can be bought for a price (some things...

Flawless!
Delightful! Hilarious!

How often do we get to see a perfect performance? We're closing in on a century of movies and, as we can see, it's pretty rare. So flawless was Judy Holliday's portrayal of Billie Dawn that, as a relative unknown, she came from behind to beat out two heavyweights for the Oscar in 1950. I'm sure this was due in no small part to her refining the role for nearly three years on stage.

Everything else fell into place as well. Broderick Crawford was just excellent as Harry Brock. Crawford is able to swing you back and forth between anger and sympathy for his character. Not an easy task! William Holden is perfectly calm and reserved as Paul Verrall. His character forms a wonderful opposite to Billie. And, with direction, George Cukor worked his usual magic.

Most of the themes are timeless. A person lives in ignorant bliss until their eyes are opened. They realize that there is a better life for them and begin their struggle...

Razor Sharp and Lots of Fun
Judy Holiday won an Oscar for this film, and no wonder: her performance of Billie Dawn, a "dumb broad" who suddenly wises up in a most unexpected way, is certainly one of the finest and most original film performances in 20th Century American cinema. The story, from the stage success, concerns a crass junk yard tycoon (Broderick Crawford) who goes to Washington to buy a Senator--and promptly considers that his blonde-bimbo mistress Billie Dawn (Holiday) lacks enough poise for such refined circles. He accordingly entices a reporter (William Holden) to "smarten her up." But things soon get out of hand: once her mind is awakened, Billie Dawn begins to perceive her lover and his political intrigues in a very different light.

The comedy is genuine, and Crawford and Holden are as memorable as Holiday herself. But there is some serious stuff behind the hilarity: issues of personal integrity, honesty, and civic duty become increasingly important as Billie evolves, and...

Click to Editorial Reviews